The evening of two halves was introduced by the Asian Music Circuit who curated the night’s performances. The first half of the show was a collaboration of two cultures – that of India and Cuba via London. Hari Sivanesan, a Veena player and Pirashanna Thevarajah, a thunderous Mridangam maestro both London born were joined by two wonderful musicians from Cuba, the much-admired Cuban violinist Omar Puente and percussionist Oscar Martinez.
This quartet unravelled a beautiful concoction of sounds that amalgamated the structure and discipline of the South Indian Carnatic style with the more playful jazz laced rhythms of Cuba. Contrary to what people may think, these two styles marry well. This is beautifully demonstrated on the track “Vio-Veena” (written by Puente) which as the name suggests was an exchange between the Violin and Veena, against a backdrop of Indian and Cuban percussion.
“Maa” (meaning Mother) was a commissioned piece (written by Hari) for the show, which as Hari described is about the message of the mother’s love through melody – representing a journey of lullabies from various cultures around the world.
A fabulous display of musical vigour!
After a short break, Shammi Pithia and his band FLUX were up … This was certainly a treat for the audience as they got to experience some of the tracks from his new EP “Paredolia” (OUT NOW). Shammi was joined on stage with some of the finest home grown musicians London has to offer:
- Michael Goodey on piano, guitar, synthesiser, sitar.
- Ian Newton-Grant drums, percussion
- Suroj Sureshbabu guitars
- Salima Barday double bass
- Preetha Narayanan violin
- Alice Barron violin
- Natasha Zielazinski cello
- Damien Langkamer electric bass
There were some magnificent renditions from his first EP “Cinema for the Ears” and debut album “Audio Descriptive” and a couple of FLUX tracks – The Seeker, Poem without Words, Overcome, Pacifist and Ajnabee Anjani, to name a few.
Singing on the night was a pool of talent: the very soulful Ambika Jois who showcased her tremendously powerful voice with such charisma. The classical vocalist Unnati Dasgupta, Urban/R’n’B artist Ash King and providing Hindustani classical vocals was the spectacular Jatanil Banerjee, who moved the crowd with Ajnabee Anjani.
What a second half! – the audience were certainly wowed, after the show there was a buzz in the atmosphere. The crowd’s reaction was a direct result of the hard work of bringing together 12 people (no easy task) and executing that show like it was a walk in the park. Watching them on stage was a brilliant, smiles and banter amongst the musicians made the set more enjoyable to experience!
I’ve been following Shammi’s music since the release of his first EP and the progress he has made is outstanding. He is certainly building a solid name for himself as a composer/producer and multi-instrumentalist. As I tweeted on the night “Composers when in their element must be connected to the divine. It requires a certain level of genius to achieve this” and that is Shammi!
My respects go out to all the musicians and singers who performed on the night … it was a night of epic proportions!
*Thanks to Kabir Gobin for providing the video footage.
When I heard Shammi was producing a new E.P. naturally I was stoked. The musician who crafted “Cinema for the Ears E.P.” and debut album “Audio Descriptive” was on his next venture.
His latest E.P titled “Paredolia” is composed of six tracks, each individually bringing a different story to the ears leaving the listener to find their own meaning of the music.
“Switch” introduces the E.P with a somewhat dark sound but 22 seconds in, the equation is balanced with the elegant Bansuri. Naturally these sounds wouldn’t work together but on this track they manifest a harmonious contradiction. As the director Shekhar Kapoor said “if you take contradictions away there would be no creativity.” As the Bansuri dances majestically with its dark bassline partner, the vocals of Rita Morar give it that defining human emotion.
This is soon followed by the title track of the E.P “Paredolia.” A beautiful track introduced by the humble piano married with deep bass and the constant thread that weaves the story of this record together – the Bansuri. It’s an excursion of the two instruments that does not need words to tell the story – the feeling it draws out says it all.
To counter the soothing vibes of the previous track, Shammi launches into “Thanks to a Busker” an Indo-Latino number with the help of the fabulous vocalists Ambika Jois and Ash King – a very romantic flamenco style track with funky bass lines, sexy guitar riffs.
On to the fourth track “Taareyan di Chaan” – meaning Shade of the stars is an abstract poetic song about longing to meet a lover sang in entirely in Punjabi. Japjit Kaur graces us with her gorgeous and elegant voice giving the track a contemporary yet folksy feel.
The penultimate track, “True” is one composed entirely of strings. The polite yet playful sounds of the Cello, Violin and Guitar really give that old fashion warm feeling to the track. It reminded me of some of the work done by Michael Giacchino on the TV programme LOST, really capturing the moments of happiness and truth – something Shammi does very well here – an unadulterated melt of sublime soundscapes.
Finally we come to a “Sweet Nothings (Phaeleh Remix)” – and what a way to end the E.P! Phaeleh, the Bristol based prolific producer has his way with “Sweet Nothings” as featured on the “Audio Descriptive” album. This is a track where the affable vocals of Japjit Kaur, Bansuri and the dark melodies of downtempo electronica melt together into a beautiful frenzy.
Shammi Pithia, has the ability to absorb the sights, sounds and influences around him and translate them to what we hear, giving each string, raga, chord, beat and baseline a purpose in the grand scheme of things. If you liked any of his previous work you will adore “Paredolia”.
nada:brahma rating 4.5/5
Multi Award Winning Shaanti Hosts Eastern Electronic Festival’s After Party, Saturday 2 April at The Hockley.
Shaanti returns back to Birmingham after a one-year hiatus, having rocked London at venues like Cargo, and festivals like The Big Chill with artists such as Asian Dub Foundation, Nitin Sawhney and Engine Earz Experiment.
The night will feature Shammi Pithia and Flux, Juttla Live, Rekesh Chauhan and many more on the night plus surprise guests.
FLUX Live featuring Shammi Pithia on Flute, Drum Percussion, Keyboards, Synth. Flux whose hybrid of sounds includes Western and Indian Classical/Folk, and Jazz. These guys rocked the Eastern Electronic Festival, and are back by shear public demand).
Juttla Live latest performance at the Eastern Electronic Festival.
REKESH CHAUHAN Live on Piano, featuring Rishi Chowdury on Tabla and Guest performers perform some amazing “Cinematic Drum n Bass” to Shaanti.
£5.00 before 12. More After, £5.00 tickets available from
(Only 100 tickets have been allocated, so don’t delay and book them now!
Time: 9.00pm – 4.00am, Bands On Stage from 10.00pm
Venue: The Hockley Bar & Club, Underneath The Big Peg,120 Vyse Street, Jewellery Quarter, Birmingham, B16 6NF.
Facebook: Shaanti | Twitter/Shaanti11
M: 07968 260 276 | E: email@example.com | W: www.shaanti.co.uk
What a fabulous gig to end an outstanding year of music. I was blessed to experience Shammi Pithia and Engine Earz Experiment on the same night.
Two different acts with one thing in common. A Passion for music.
Both Shammi and Prashant (Engine Earz) gave it their all. Communicating different emotions and displaying different styles of music for the audience to experience.
From the wafting, sonorous flute lines drift across the drums, sitar, violin and cello by Shammi and Co where each track was moving, reflective and inspiring!
Engine Earz provided the grimey build-ups of dubstep, unfolding leisurely as each track increases in intensity … crowd going wild!
Pics taken by Ravi Purohit:
The atmosphere was electric. Couldn’t really ask for more!
So, as a treat. Here is some of the footage from the Shammi Pithia set featuring Aggi Dukes, Ash King, Japjit Kaur, Anuti Dasgupta and the band FLUX.
In the coming years … I can see Shammi Pithia and Engine Earz performing at the Royal Albert Hall… Now that would be an unmissable performance!
Shammi Pithia – Poem Without Words @ Richmix
Shammi Pithia – The Seeker @ Richmix
Shammi Pithia – Ajnabee Anjani @ Richmix
Shammi Pithia – Until I Hit The Ground
Merry Christmas people!
I’ve got a round up of what I consider to be the top tracks of 2010 (in no particular order). So enough of the chit chat from me and on with the show.
Aeroplane Dope & D-Skillz featuring Raggo Blunt – Pinky Finger (Piyush Bhatnagar Remix)
Akala – Yours and My Children
Anuj Rastogi (Omnesia) – The Dark Knight – Why So Serious (Indian DubStep Remix)
Aref Durvesh + Xfile (xfile remix) – Cloudsurfing dubrub remix
Awake (karsh kale’s morning remix)
Bandish Projekt – Brown Skin Beauty (Liquid Stranger Remix)
Barbouze – Otto Matic Rumble Mix
Bass Flo – Mount Everest
Bonita Applebum – Why Can’t Love
Clare Maguire – Ain’t Nobody (breakage remix)
Daft Punk – Derezzed (from TRON: Legacy)
Dimm Summer – Rubstep – slow burn mix
Engine-Earz Experiment (Feat. Lena Cullen) – Reach You
FILMI – Technicolor
Gaudi – Bad Boy Bass (Piyush Bhatnagar Remix)
Jalebee Cartel – Mirrors (Breed Remix)
Karsh Kale & Midival Punditz – Girl Fight (Enter the Dragon)
Kaya Project – When Only Sand Remains (Tripswitch Remix)
Lal Meri – Lal Meri (Bombay Dub Orchestra Remix)
Mirko Kosmos – Light Warrior
My Pet Dragon – Flow (Karsh Kale’s Way Of The Dragon Mix)
Phaeleh – Afterglow (feat. Soundmouse)
Rita Morar & Steve Carty – Rain (Piyush Bhatnagar Remix)
Shaa’ir & Func – Every time You’re Around
Shammi Pithia – The Seeker
Sub Swara – Bend You
Sukh Knight – Gabba Wasp
The Nasha Experience – REDZONE
Bob Marley – Waiting in Vain (Susheela Raman and Karsh Kale Version)
Amal Lad – Once Upon a Time in London
2011 Favourited already:
Generation Bass Presents Transnational Dubstep Compilation
So I missed the OXJAM Bricklane Takeover gig in London. I hear it was brilliant!! Shammi Pithia was also performing that day and he has kindly put his performances on YouTube for us to absorb the goodness!
Nuff respect to Shammi and his band for the music you are about to hear!!
Piece By Piece
What an album! If you’ve heard it and loved it … well you’ll certainly love these two. First on “Pacifist Theme” – a reworked track of the original “Pacifist” featured on AUDIO DESCRIPTIVE – a very light and soulful track.
Second is “The Seeker” – according to my ears – a stunning track that will send goosebumps on a rampage! bass filled genius!
Purchase the two tracks here on iTunes: THE SEEKER
This isn’t a review but just a few words on how I’m feeling about what I’m hearing. Over the past few month my ears have been subjected to a lot of dubstep, drum n bass, electronica etc. This I have to say was just the break my ears were searching for…
I received my copy of Shammi Pithia’s Audio Descriptive today. I stuck it straight on my Ipod, listened to it on the way to the gym, at the gym and on the way back. I’m kinda lost for words, not really sure how to describe this audio experience …
Shammi’s first EP Cinema for the Ears was great, he set himself a foundation, a beginning. Audio Descriptive resonates sounds from the EP, certainly not a flaw, a clear indication of an organic evolution Shammi’s music is going through – what he started with, to where he is going. There has been no need for reinvention here, because its simply not needed, what he has created works well.
There is a very good mix of sounds on the album, from an almost latino track to a hip hop, classical, hindi, cinematic and tonnes more.
This album is great, lots of dynamism and intelligence, truly refreshing piece of work.
Simply Beautiful …
get you copy here: